The concert was preceded by a panel during which ethnomusicologist Lara Peligrinelli moderated a discussion between Du Yun, librettist Royce Vavrek, and conductor Julian Wachner. XE, a middleman and middlewoman who exploit fallen angels to make ends meet. I interviewed Du Yun in the production office prior to the panel and performance, and found myself captivated by her easy-going conversation, hilarious mannerisms and facial expressions, and her bluntness in expressing her point of view.
I was quite adamant about the fact that, because neither of us were victims, there Julian wachner wife sexual dysfunction only so much we could empathize. How deep can the empathizing really go?
What people do when nobody is looking. It can be very murky. What if nobody is looking and there are no consequences? There are different forms and shapes that it takes. Boyfriend figures who take them under their wing. At first, we see the angels having their feathers pruned, being taken care of, and then we see Mr.
XE nurturing them back to health. And I think that there are many instances where the captive falls in love with the captor. And I have a very good memory. I loved his language and his sensibility in telling a story, and we have similar taste in films.
So we knew we had to work together in one way or another. And then I got a commission from the Mann Center for the Performing Arts in Philadelphia—they wanted me to do a chamber music thing, but they gave me a full night, including one new piece. Then I remember vividly this email from Royce: I totally understand that art does not solve problems. It should serve as a catalyst for solving problems.
As you were saying, people think that human trafficking is a very far-away problem, but it happens right in the City. But I do welcome the commentary from people. For instance, somebody tweeted that they were absolutely appalled that this opera won a Pulitzer. She said it was secondary exploitation. I want to engage and welcome these conversations: Who am I to position myself to speak for anybody else?
I think of myself more as a journalist or a documentary filmmaker. A lot of political art is bullshit. It does require sensitivity, and compassion, "Julian wachner wife sexual dysfunction" lots of research. I teach at Peabody, and I just gave a lecture at another university. And afterwards I went out with some faculty members and they were talking about trigger warnings.
I can be controversial. Upon my introducing myself, the specter of my Ostrava Days review enters the space: You were the one! You know what, people should be angry. Let me tell you.