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Bobby Wilmore, Lazaro Galarraga 2. Some criticized her for dressing like a streetwalker, while others embraced her bold sexuality.

Her performances onstage and on wax reflected her tumultuous life offstage and were indeed—like the name of one of her most famous songs—puro teatro. And no one—be it Fidel Castro, Mongo Santamaria, Tito Puente, or Morris Levy—could ever, no matter how hard they tried, contain her philharmonic energy. She was a wrenching tug-of-war between impulse and craft, be Eres lento homero latino dating platform the street, club, or recital hall.

Such grand musical drama took her around the world and reportedly drew international celebs and sophisticates like Marlon Brando, Ernest Hemingway, Simone de Beauvoir, Tennessee Williams, Picasso, and Jean-Paul Sartre into her court, but anyone who ever bore witness—from riffraff to royalty, young and old, whether in her native Cuba, the USA, or Latin America—never forgot her.

La Lupe absorbed all of that and threw it back out. At that time, we had the hippies and the existential- ists. It was an audience that was receptive to her immediately. People who wore their shirts Eres lento homero latino dating, that was her audience. But all that incoherence would click.

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